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Jacob Burckhardt’s view that Renaissance European women “stood on a footing of perfect equality” with Renaissance men has been repeatedly cited by feminist scholars as a prelude to their presentation of rich historical evidence of women’s inequality. In striking contrast to Burckhardt, Joan Kelly in her famous 1977 essay, “Did Women Have a Renaissance?” argued that the Renaissance was a period of economic and social decline for women relative both to Renaissance men and to medieval women. Recently, however, a significant trend among feminist scholars has entailed a rejection of both Kelly’s dark vision of the Renaissance and Burckhardt’s rosy one. Many recent works by these scholars stress the ways in which differences among Renaissance women—especially in terms of social status and religion—work to complicate the kinds of generalizations both Burckhardt and Kelly made on the basis of their observations about upper-class Italian women.


The trend is also evident, however, in works focusing on those middle- and upper-class European women whose ability to write gives them disproportionate representation in the historical record. Such women were, simply by virtue of their literacy, members of a tiny minority of the population, so it is risky to take their descriptions of their experiences as typical of “female experience” in any general sense. Tina Krontiris, for example, in her fascinating study of six Renaissance women writers, does tend at times to conflate “women” and “women writers,” assuming that women’s gender, irrespective of other social differences, including literacy, allows us to view women as a homogeneous social group and make that group an object of analysis. Nonetheless, Krontiris makes a significant contribution to the field and is representative of those authors who offer what might be called a cautiously optimistic assessment of Renaissance women’s achievements, although she also stresses the social obstacles Renaissance women faced when they sought to raise their “oppositional voices.” Krontiris is concerned to show women intentionally negotiating some power for themselves (at least in the realm of public discourse) against potentially constraining ideologies, but in her sober and thoughtful concluding remarks, she suggests that such verbal opposition to cultural stereotypes was highly circumscribed; women seldom attacked the basic assumptions in the ideologies that oppressed them.


The author of the passage suggests that Krontiris incorrectly assumes that

正确答案: A

参考解析

提交我的解析
    文章大意逻辑
    文章围绕对文艺复兴时期女性地位的看法展开。开头提出雅各布·布克哈特认为文艺复兴时期欧洲女性与男性地位平等,女权主义学者常引用此观点引出女性不平等的历史证据。琼·凯利则认为文艺复兴时期女性相对男性在经济和社会方面处于衰退状态。许多女权主义学者既反对凯利的悲观看法,也反对布克哈特的乐观看法,强调文艺复兴时期女性之间在社会地位和宗教等方面的差异使布克哈特和凯利基于上层意大利女性观察得出的概括变得复杂。接着指出关注能写作的中上层欧洲女性的作品也体现了这一趋势,因为这些女性因识字成为少数群体,将她们的描述视为典型有风险。以蒂娜·克朗提里斯为例,她有时会混淆“女性”和“女性作家”,错误假设女性性别可忽视其他社会差异将女性视为同质群体,但她也对该领域有重要贡献。 文章类型:新旧观点对比
    逻辑简图
    1. Old view:Burckhardt Renaissance women = men in equality 2. Counter view:Kelly Renaissance women declined relative to men 3. New view:Many feminist scholars reject both, stress differences among Renaissance women 4. Example & analysis:Works on literate women; Krontiris conflate "women" and "women writers", wrong assumption, but also contribution 做题方法及问题类型
    这是一道细节推断题,通过定位文中关于Krontiris的描述(“Tina Krontiris, for example...”等相关内容)来推断她错误的假设。 选项分析
    A选项:文艺复兴时期女性之间的社会差异不如她们是女性这一事实重要。对应文中“Krontiris有时会混淆‘女性’和‘女性作家’,假设女性性别可忽视包括识字等其他社会差异,将女性视为同质群体”,说明她有此错误假设,该选项正确。 B选项:文艺复兴时期女性的识字率比当今大多数学者承认的更普遍。文中未提及此内容,属于无中生有,排除。 C选项:在文艺复兴时期,女性能够成功反对与性别相关的文化刻板印象。文中未表明她有此假设,排除。 D选项:文艺复兴时期女性没有面临许多与性别相关的困难社会障碍。与文意不符,克朗提里斯虽有贡献但也有错误假设,不是认为女性没面临困难障碍,排除。 E选项:为了获得权力,文艺复兴时期女性攻击压迫她们的意识形态中的基本假设。文中未提及相关内容,排除。

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