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Although Thaler employs an innovative mode of analysis, his study offers yet another examination of quite (i) ground-namely, the culture ideology of Norwegian-American preservationist writers in the early twentieth century. The history, literature, and changing internal dynamics of the Norwegian subculture in America constitute a particularly well-studied area. Anyone familiar with the authoritative work of scholars in the field will (ii) little in Thaler's study that is (iii) .
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